QUEEN JAZZ 25TH ANNIVERSARY REPLICA TO THE ORIGINAL 1998 LP JAPAN LIMITED OBI CD

Description: QUEEN – JAZZ - COLLECTORS 1998 WITH THE VERIFYING 25TH ANNIVERSARY JAPAN OBI REPLICA STRIP SEALED CD - Gatefold Cover - TREMENDOUSLY RARE TOCP-65107 LIMITED LONG OUT OF PRINT EDITION AND THE ONLY WAY A COLLECTORS KNOWS IF THEY OWN THIS 1ST 1998 EDITION IS BY THAT OBI ANNIVERSARY STRIP ON THE LEFT SIDE OF THE SEALED TITLE. THIS IS OUR ONE AND ONLY COPY FOREVER. WHAT IS A JAPAN "MINI/REPLICA-LP-SLEEVE" CD? Have you ever lamented the loss of one of the 20th Century's great art forms, the 12" vinyl LP jacket? Then "mini-LP-sleeve" CD's may be for you. Mini-sleeve CDs are manufactured in Japan under license. The disc is packaged inside a 135MM X 135MM cardboard precision-miniature replica of the original classic vinyl-LP album. Also, anything contained in the original LP, such as gatefolds, booklets, lyric sheets, posters, printed LP sleeves, stickers, embosses, special LP cover paper/inks/textures and/or die cuts, are precisely replicated and included. An English-language lyric sheet is always included, even if the original LP did not have printed lyrics. Then, there's the sonic quality: Mini-sleeves have dedicated remastering (20-Bit, 24-Bit, DSD, K2/K2HD, and/or HDCD), and can often be superior to the audio on the same title anywhere else in the world. There also may be bonus tracks unavailable elsewhere. Each Japan mini-sleeve has an "obi" ("oh-bee"), a removable Japan-language promotional strip. The obi lists the Japan street date of that particular release, the catalog number, the mastering info, and often the original album's release date. Bonus tracks are only listed on the obi, maintaining the integrity of the original LP artwork. The obi's are collectable, and should not be discarded. All mini-sleeve releases are tremendously limited editions mainly pressed on future orders only and once released immediately out of print. This fact along with other latter features we've mentioned make these titles rare collectibles that sell in the collectors markets for $100's of dollars apiece. Japanese digitally re-mastered Mini LP replica Limited Edition Collection with OBI sash down the front – only 2,000 Collector pieces made world-wide and are immediately Out of Print. Recorded from the finest Original Masters available. Comes with anti-static sleeves similar to Vinyl LPs, Cardboard packaging like an LP. Actual miniaturized version of the 12” LP in 4” CD version. E-BAY STORE. FOR YOUR INDIVIDUAL RARE OBI SELECTIONS - INDIVIDUAL TITLE INFORMATION OR INDIVIDUAL PURCHASE JUST HIT THIS STORES TAB >. & TYPE IN OBI OR QUEEN INTO THE SEARCH FIELD WITHIN OUR STORES SECTION AS YOUR PERSONAL CODE AND ALL INDIVIDUAL TITLES + INFORMATION WILL APPEAR At this point, Queen were on the verge of another makeover: this time toward a more funk/pop phase which was slightly hinted at here, but taken up even more on the next two albums following this one: _The Game_ and _Hot Space_ (excluding the Flash Gordon soundtrack.) It seems that this album gets pretty mixed reviews from diehard Queen fans, and more casual ones. My opinion of the album? I tend to agree with both sides of the camp. I'm going to get to the negative stuff first, just to get it out of the way. While I think it's a great album, I can't help feeling that some of it seems a bit lackluster, uninspired and forced for Queen's own typical high standards, particularly during the second half. First off, the album seems a bit uneven, mainly because the hard-hitting and upbeat numbers seem to play out consecutively throughout the first half, while the second half seems more subdued in dynamics and atmosphere. Listening to the transition from a (mostly) first half of upbeat numbers to a (mostly) second half of low-key numbers can be quite a tough pill to swallow for a listener. It probably would have been nicer if the track order was switched around and mixed up more, like they did on the majority of their earlier 70s albums. All of this gives the impression that Queen got a bit hasty and careless with the production of the album, as if they were on a quick deadline to release an album within a short period of time. The overall feel of the album comes across as a bit sloppily executed, when in fact Queen were one of THE bands/producers known for their precision, meticulousness and perfectionism. Queen fans will probably want to see me fry in hell for all of these last comments, but Queen is only my all-time favorite band, and I say all of this because Queen were a band who set high standards for themselves, and it's hard not to notice when they've stepped down a bit. Now the goods. This is definitely a fun (and elegant) album to listen to, especially when you're in need of a good cheer-up. Hard to not feel good after listening to the sensuous, lusty and jovial/celebratory vocals of Freddie Mercury, the hypnotic crunch of Brian's self-made guitar, the bombastic drumming of Roger Talyor and John Deacon's tasty basslines backing it all up. "Mustapha" is an Arabic-like number with Freddie singing mostly wordless (but hypnotic and engrossing) vocal lines which give the track an almost spiritual aura. The musicianship is intelligent and top-notch here as well. "Fat Bottomed Girls" many probably know. "Jealousy" is an excellent number featuring Brian May playing some guitar lines that sound almost eastern. Freddie's vocals as always are convincing. "Bicycle Race" shows off the kind of perfectionism and meticulousness Queen were known for perfectly: a number with a sheer amount of complexity crammed throughout it's short playing time. I always loved how Queen made tracks that sounded like "many songs played within a single song." They managed to make their complex musical point in quarter time of what most classic progressive rockers did, which puts the latter to shame. The intelligent chords & progressions, the abrupt switches in dynamics and other factors give this track an almost symphonic quality, as it plays out like an almost ultra-quick symphony - and not to mention those ultra-classy vocal harmonies soaked throughout. During the second half of the track, Brian May manages to slip in some licks based on ionian scales for three different keys - all of which are in ascending mode. This also adds to the "symphonic" quality the track possesses. "Let Me Entertain You" and "Dead On Time" are hard-hitters in the Queen tradition. The former features some fairly risqué lyrics, with some of Freddie's more expressive vocals, while the latter seems to return to the proto-speed metal that Queen pretty much pioneered with "Stone Cold Crazy," particularly in Brian May's frenzied riffing. This track is somewhat scary, as well as exciting. "In Only Seven Days" is a fairly low-key number written by bassist John Deacon. Features some wispy orchestration (nope, Queen didn't use synths - mostly Brian's guitar) and Freddie gives an elegant and sexy vocal performance. "Dreamer's Ball" mixes lounge jazz and Renaissance attributes - the latter in an irreverent, inorganic fashion (reminds me a bit of Gentle Giant.) "Fun It" gives the hint of things to come on later albums, as it's a funk/disco track. "Leaving Home Ain't Easy" is a nice ballad with a nice use of Brian May's gentle vocals. "Don't Stop Me Now" is just downright exciting and sophisticated. "More Of That Jazz" is a mid-tempo rocker featuring some scorching guitar licks. There's a part near the end of the track where you get a recap of the album, as you hear quick bits of a few tracks spliced together for an almost mind-warping remix. The uneven feel of the album is the only real flaw, which causes me to take off 1/2 star from the 5 scale, but on the whole, the strengths outweigh the flaws by a longshot, as the songwriting and musicianship are still strong. JAZZ - Japanese remastered (1998 digital remastering) reissue of 1978 album packaged in a miniature LP gatefold sleeve, features 13 tracks Track Listings1. Mustapha2. Fat Bottomed Girls3. Jealousy4. Bicycle Race5. If You Can't Beat Them6. Let Me Entertain You7. Dead on Time8. In Only Seven Days9. Dreamers Ball10. Fun It11. Leaving Home Ain't Easy12. Don't Stop Me Now13. More of That Jazz International Buyers – Please Note: Import duties, taxes, and charges are not included in the item price or shipping cost. These charges are the buyer's responsibility. Please check with your country's customs office to determine what these additional costs will be prior to bidding or buying. Note: It's illegal to falsify customs declarations or mark an item as a "gift" or lower it's value in order to avoid customs fees. INTERNATIONAL BUYERS NEED TO BE AWARE OF THE CUSTOM'S TAXES IN THEIR OWN COUNTRY AND KNOW THEY (AS THE BUYER) ARE RESPONSIBLE FOR CUSTOMS TAXES. FACTORY SEALED OUT OF PRINT PRODUCT is IRREPLACEABLE and therefore NOT RETURNABLE. USA SHIPPING: We box/package protectively – Ship UPS Ground/Insured within Continental USA – Hawaii/Alaska by mail. We accept PayPal ONLY WITH CONFIRMED SHIPPING ADDRESS INT’L SHIPPING: We box/package protectively for safe world-wide shipping. When accepting PayPal, ship ONLY WITH EXPRESS MAIL FULLY INSURED or PRIORITY MAIL FULLY INSURED – Because of Postal Regulations in following countries -- U.K. (England, Ireland, Wales and Scotland), SOUTH AMERICAN COUNTRIES, QATAR, PHILIPPINES, SRI LANKA, RUSSIA, ISRAEL, MALTA & MEXICO – AT CHECKOUT, MUST CHOOSE EXPRESS SHIPPING ONLY International Buyers are responsible for their country’s Customs Fees. Check out Mymusicfix for additional Queen – other OBIs Audiophile Vinyl or Gold CDs by to view our current items up on E-Bay . Mymusicfix has been told we have the best collection of Rare, Out of Print music collectibles on E-Bay.

Price: 103.99 USD

Location: Lake Forest, California

End Time: 2025-02-02T20:33:44.000Z

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